Yawn contagion occurs when one individual yawns in response to another’s yawn. Studies of this behavior in primates have focused on populations in captivity, but biologist Elisabetta Palagi and her colleagues have shown that it can occur in wild primate populations as well. In their study, which focused on a wild population of gelada monkeys (Theropithecus gelada) in Ethiopia, the researchers further reported that yawn contagion most commonly occurred in males and across different social groups instead of within a single social group.

A musician and member of the Quechua of Peru, Renata Flores Rivera was eager to promote the Quechua language in her music, but she was ______blank speaking it. She met this challenge by asking her grandmother, a native speaker of Quechua, to help her pronounce words in her song lyrics and also by taking classes in the language.

In 1973, poet Miguel Algarín started inviting other writers who, like him, were Nuyorican—a term for New Yorkers of Puerto Rican heritage—to gather in his apartment to present their work. The gatherings were so well attended that Algarín soon had to rent space in a cafe to accommodate them. Thus, the Nuyorican Poets Cafe was born. Moving to a permanent location in 1981, the Nuyorican Poets Cafe expanded its original scope beyond the written word, hosting art exhibitions and musical performances as well. Half a century since its inception, it continues to foster emerging Nuyorican talent.

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The Cretaceous-Paleogene (K-Pg) mass extinction event is usually attributed solely to an asteroid impact near Chicxulub, Mexico. Some scientists argue that volcanic activity was the true cause, as the K-Pg event occurred relatively early in a long period of eruption of the Deccan Traps range that initially produced huge amounts of climate-altering gases. These dissenters note that other mass extinctions have coincided with large volcanic eruptions, while only the K-Pg event lines up with an asteroid strike.

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In a 2020 study, Pincelli Hull and her colleagues analyzed ocean core samples and modeled climate changes around the K-Pg event. The team concluded that Deccan Traps gases did affect global conditions prior to the event, but that the climate returned to normal well before the extinctions began—extinctions that instead closely align with the Chicxulub impact.

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Historians studying pre-Inca Peru have looked to ceramic vessels to understand daily life among the Moche people. These mold-made sculptures present plants, animals, and human faces in precise ways—vessels representing human faces are so detailed that scholars have interpreted facial markings to represent scars and other skin irregularities. Some historians have even used these objects to identify potential skin diseases that may have afflicted people at the time.

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Art historian and archaeologist Lisa Trever has argued that the interpretation of Moche “portrait” vessels as hyper-realistic portrayals of identifiable people may inadvertently disregard the creativity of the objects’ creators. Moche ceramic vessels, Trever argues, are artworks in which sculptors could free their imagination, using realistic objects and people around them as inspiration to explore more abstract concepts.

In Nature Poem (2017), Kumeyaay poet Tommy Pico portrays his ______blank the natural world by honoring the centrality of nature within his tribe’s traditional beliefs while simultaneously expressing his distaste for being in wilderness settings himself.

Rejecting the premise that the literary magazine Ebony and Topaz (1927) should present a unified vision of Black American identity, editor Charles S. Johnson fostered his contributors’ diverse perspectives by promoting their authorial autonomy. Johnson’s self-effacement diverged from the editorial stances of W.E.B. Du Bois and Alain Locke, whose decisions for their publications were more ______blank.

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On April 26th, 1777, Sybil Ludington rode 40 miles by horse through Putnam County, New York, to gather up local militia. British forces were burning nearby Danbury, Connecticut, and Ludington wanted to rally rebel troops to meet them. Although she was only 16 years old at the time, her brave feat made Ludington one of the heroes of the American Revolution. Since then, Ludington has been widely celebrated, inspiring postage stamps, statues, and even children’s TV series. 

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Historian Paula D. Hunt researched the life and legacy of Sybil Ludington but found no evidence for her famous ride. Although many articles and books have been written about Ludington, Hunt believes writers may have been inventing details about Ludington as they retold her story. Ludington is revered by Americans today, but there simply isn’t a strong historical record of her heroic ride.

Economist Marco Castillo and colleagues showed that nuisance costs—the time and effort people must spend to make donations—reduce charitable giving. Charities can mitigate this effect by compensating donors for nuisance costs, but those costs, though variable, are largely ______blank donation size, so charities that compensate donors will likely favor attracting a few large donors over many small donors.

Seminole/Muscogee director Sterlin Harjo ______blank television’s tendency to situate Native characters in the distant past: this rejection is evident in his series Reservation Dogs, which revolves around teenagers who dress in contemporary styles and whose dialogue is laced with current slang.

Some studies have suggested that posture can influence cognition, but we should not overstate this phenomenon. A case in point: In a 2014 study, Megan O’Brien and Alaa Ahmed had subjects stand or sit while making risky simulated economic decisions. Standing is more physically unstable and cognitively demanding than sitting; accordingly, O’Brien and Ahmed hypothesized that standing subjects would display more risk aversion during the decision-making tasks than sitting subjects did, since they would want to avoid further feelings of discomfort and complicated risk evaluations. But O’Brien and Ahmed actually found no difference in the groups’ performance. 

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Growth in the use of novel nanohybrids—materials created from the conjugation of multiple distinct nanomaterials, such as iron oxide and gold nanomaterials conjugated for use in magnetic imaging—has outpaced studies of nanohybrids’ environmental risks. Unfortunately, risk evaluations based on nanohybrids’ constituents are not reliable: conjugation may alter constituents’ physiochemical properties such that innocuous nanomaterials form a nanohybrid that is anything but.

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The potential for enhanced toxicity of nanohybrids relative to the toxicity of constituent nanomaterials has drawn deserved attention, but the effects of nanomaterial conjugation vary by case. For instance, it was recently shown that a nanohybrid of silicon dioxide and zinc oxide preserved the desired optical transparency of zinc oxide nanoparticles while mitigating the nanoparticles’ potential to damage DNA.

The following text is adapted from Nathaniel Hawthorne’s 1837 story “Dr. Heidegger’s Experiment.” The main character, a physician, is experimenting with rehydrating a dried flower.

At first [the rose] lay lightly on the surface of the fluid, appearing to imbibe none of its moisture. Soon, however, a singular change began to be visible. The crushed and dried petals stirred and assumed a deepening tinge of crimson, as if the flower were reviving from a deathlike slumber.

The following text is from Bram Stoker’s 1897 novel Dracula. The narrator is being driven in a carriage through a remote region at night.

The baying of the wolves sounded nearer and nearer, as though they were closing round on us from every side. I grew dreadfully afraid, and the horses shared my fear. The driver, however, was not in the least disturbed; he kept turning his head to left and right, but I could not see anything through the darkness.

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Films and television shows commonly include a long list of credits naming the people involved in a production. Credit sequences may not be exciting, but they generally ensure that everyone’s contributions are duly acknowledged. Because they are highly standardized, film and television credits are also valuable to anyone researching the careers of pioneering cast and crew members who have worked in the mediums.

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Video game scholars face a major challenge in the industry’s failure to consistently credit the artists, designers, and other contributors involved in making video games. Without a reliable record of which people worked on which games, questions about the medium’s development can be difficult to answer, and the accomplishments of all but its best-known innovators can be difficult to trace.